Notes from Day 1 & 2…
Thursday, October 9, 2014
Notes from Day 1 & 2…
Tuesday, September 23, 2014
Here is a sneak peek into the current painting that I have on my easel. Most of the reference for this particular piece came from a visit to Tulsa Oklahoma around two/three years ago. I was out visiting and exploring the country side with a collector friend of mine when he told me about this old water pump he had and after seeing it I knew I wanted to paint it!
Progress to date... I am currently on the second layer of color, background is finished and I am currently working on the galvanized metal textures of the pump.
This painting will be unveiled at an upcoming show at Lovetts Gallery in Tulsa, Oklahoma during the first weekend in November.
Wednesday, September 10, 2014
"Three Princes (African Elephant)"
The painting, “Three Princes (African Elephant),” is the first painting that I actually searched for in the field. The idea and inspiration for this piece came from what I believed at the time to be the loss of the opportunity to travel to Tanzania, Africa, for the first time in 2012 -- a loss that was soon corrected by what I perceived as serendipity.
In order to get to Tanzania, I was attempting to presell paintings and/or drawings to my collectors, which when you think about it, you are asking someone to purchase something sight unseen. The deadline was fast approaching for me to put down the deposit for my trip and I hadn’t received any bites on my advance purchase promotions. I had come to the decision in my head that my trip would not happen. At the time that I was making this choice and getting ready to end the promotion, I was working on a drawing of an African elephant from references that my friend and amazing sculptor Paul Rhymer had supplied me with in order to start stirring my enthusiasm for my upcoming adventure.
Nearly finished with the drawing and starting to put my thoughts toward what I would title it, I went out for my weekly check of my post office box. In among the standard junk mail was a simple #10 envelope with a return address that I recognized, a collector who had added several pieces of mine in their collection in the past. In that short moment of tearing the envelope open, unfolding the letter and seeing one of my advance purchase agreements filled out, everything changed. In one simple letter from one collector my dream of going to Africa was a reality! I perceived this as serendipity and I so named the drawing that I was finishing up that afternoon.
As is a habit of mine, I researched the word “serendipity” and learned of its origin and the story of “The Three Princes of Serendip.” Apparently, the word serendipity was coined by Horace Walpole (1717-97) in a letter to Horace Mann acknowledging the safe arrival of a portrait of Bianca Cappello, a 16th-century beauty and Duchess of Tuscany. In this letter, Walpole uses the word serendipity for the first time and tells Mann how he came about creating it.
“This discovery indeed is almost of that kind which I call serendipity, a very expressive word, which as I have nothing better to tell you, I shall endeavour to explain to you: you will understand it better by the derivation than by the definition. I once read a silly fairy tale called The Three Princes of Serendip: as their highnesses travelled, they were always making discoveries, by accident and sagacity, of things which they were not in quest of: for instance, one of them discovered that a mule blind of the right eye had travelled the same road lately, because the grass was eaten only on the left side, where it was worse than on the right – now do you understand serendipity?”~The Three Princes of Serendip, by Richard Boyle
From this brief introduction to the tale of “The Three Princes,” I soon found myself reading the tale in its entirety and started to illustrate the story in my mind’s eye. Apparently, the mule in the story is actually a camel that has gone missing. When the camel driver questions the three princes about the missing camel, they describe attributes of the missing camel -- the camel was lame, blind in one eye and was missing a tooth -- without ever seeing it. I envisioned them putting their heads together and conversing, looking at the clues and discussing the evidence of the missing camel. It was at this moment that I thought of three elephants coming together, with their heads in conference.
I went to Tanzania in November 2012 on a mission to find the needed reference for the painting that I had seen in my head, which was inspired by researching a word, a word that I believe stepped in and made my trip to Africa happen. I was in Tarangire National Park, Tanzania, Africa, for eight days constantly searching for the vision that I had seen when reading “The Three Princes.” On day eight, overwhelmed by all that I had seen but feeling disappointed by not seeing what I was looking for, we made our way to the park entrance where I was to be picked up and taken back to Arusha for departure to the U.S. About 500 yards from the gate, serendipity once again stepped in! A small herd of bachelor elephants were grazing on the limbs of some Acacia trees and they were grouped in a manner that their heads were together as if they were in a great discussion. That was it -- there was my painting!
Back in the studio, I took the 50-plus images that I had captured from that encounter and found the needed references and worked on my composition. The painting, “Three Princes (African Elephant),” was the first piece I composed when I returned to the U.S. and is the largest painting I have created to date.
Monday, February 24, 2014
Thursday, February 20, 2014
Draw Realistic Animals
wildlife, pets & more
Instructional Book by Robert Louis Caldwell
Forward by Terry Miller
Published by North Light Books
Released June 2014
Pre-order your autographed copy of
Draw Realistic Animals
wildlife, pets & more
$25.00 plus shipping
(Sales tax will applied to all Virginia, USA residents)
Shipping outside of the United States please email us at email@example.com for
(Click here to go to webpage for ordering the book)
In the instructional book “Draw Realistic Animals: Wildlife, Pets & More,” Robert takes you step-by-step through 12 drawings. He works through a variety of animal textures, including the fur of a colobus monkey, the distinctive markings of a vulture and the complex arrangement of scales adorning the Red-headed Agama. He also demonstrates how to draw animals in different habitats, from a dog curled up on the sofa, to a chickadee perched on a branch decked out with holiday lights to elephants in the African bush.
Robert’s work is meticulously drawn, and they are planned out well in advance of the first pencil touching paper. In his book, he imparts the all-important fundamentals of drawing, including drawing materials, reference materials, transferring your sketch and the most important part of art, composition.
Robert’s method of drawing is known as “continuous tone,” which he accomplishes by layering his graphite, starting from the lightest pencil and working his way up to the darker pencils. This layering technique establishes rich, solid tonal masses creating a great contrast and depth in his work that makes his drawings come to life.
As you read through this book, you will come to learn how important patience and your internal voice are (as well as a continued sharp pencil) to creating highly detailed drawings of animals.
The foreword in Robert’s book is written by Terry Miller, a highly acclaimed graphite artist, a master in pictorial composition and the Leigh Yawkey Woodson Art Museum’s 2013 Birds in Art Master Artist. Terry has been friend and a mentor of Robert’s since they first met at the 2007 Birds in Art Exhibition, and Robert was very honored that Terry agreed to write the foreword to his book.
“Much to my personal liking, as it is the method with which I have developed my approach to graphite drawing over the years, Robert details the technique of layering to build up darks and develop dimension and depth in a drawing and, closing out the first part of the book, he touches upon what I feel is of most importance in structuring a fine drawing — the well-established principles of compositional design. Including ideas such as contrast, movement and rhythm, he discusses those principles along with the others noted in the text, applying them to initial studies and sketches and, moving them into more finalized contour drawings, he shows how to prepare to start work on a finished drawing.”~Terry Miller
Tuesday, February 18, 2014
WIP - "Three Princes" Oil Painting, 24 x 36
Tuesday, January 14, 2014
Robert and his work have been featured in the February 2014 issue of Southwest Art Magazine which should be making it's way to your local newsstand now. The article covers the road that brought Robert through his adolescent years, through college and to his current position as "a rising star among wildlife artists." We cordially invite you to pick up a copy of the February issue of Southwest Art or by clicking on the link below to read the PDF of the article.
"How fortunate that the spell nature casts upon Caldwell harmonizes perfectly with his other calling: art. Over the past decade, his love of the outdoors and his talent with graphite pencils and oil paints have combined to make the selfdesribed "traditional realist," now 41, a rising star among wildlife artists."