Presenting two new drawings!
I managed to finish up these two drawings around the holidays just in time for the opening last Friday, 1/9/2015, at glave kocen Gallery in Richmond, Virginia!
Here is a sneak peek into the current painting that I have on my easel. Most of the reference for this particular piece came from a visit to Tulsa Oklahoma around two/three years ago. I was out visiting and exploring the country side with a collector friend of mine when he told me about this old water pump he had and after seeing it I knew I wanted to paint it!
Progress to date... I am currently on the second layer of color, background is finished and I am currently working on the galvanized metal textures of the pump.
This painting will be unveiled at an upcoming show at Lovetts Gallery in Tulsa, Oklahoma during the first weekend in November.
“This discovery indeed is almost of that kind which I call serendipity, a very expressive word, which as I have nothing better to tell you, I shall endeavour to explain to you: you will understand it better by the derivation than by the definition. I once read a silly fairy tale called The Three Princes of Serendip: as their highnesses travelled, they were always making discoveries, by accident and sagacity, of things which they were not in quest of: for instance, one of them discovered that a mule blind of the right eye had travelled the same road lately, because the grass was eaten only on the left side, where it was worse than on the right – now do you understand serendipity?”~The Three Princes of Serendip, by Richard Boyle
“Much to my personal liking, as it is the method with which I have developed my approach to graphite drawing over the years, Robert details the technique of layering to build up darks and develop dimension and depth in a drawing and, closing out the first part of the book, he touches upon what I feel is of most importance in structuring a fine drawing — the well-established principles of compositional design. Including ideas such as contrast, movement and rhythm, he discusses those principles along with the others noted in the text, applying them to initial studies and sketches and, moving them into more finalized contour drawings, he shows how to prepare to start work on a finished drawing.”~Terry Miller